Archive for the ‘CD Review’ Category

WHISKY RICHARDS EP MAKES A STATEMENT

Monday, July 12th, 2010

Whisky Richards Debut EP

Whisky Richards Debut EP

Chase Christie, braintrust for the Whisky Richards, gets to have it both ways.   He wants the band to sound good and have fun, and their self-titled EP/CD does just that.

Kicking off with a country-rockin’ working man’s anthem, “Steel Drivin’ Man,” the band fires on all of its six cylinders — drums, bass, rhythm, lead guitar, harmonica and fiddle — to remind us that the workin’ man “don’t get no breakfast in bed.”  Things slow down for “Kentucky Don’t You Know,” an idealized snapshot of the Bluegrass State, then they pick right back up with the easy-rollin’, self-explanatory “Hard Drinking without You,” followed by the instrumental “Curley’s Dream,” and closing with the fifth and final song, another drinkin’ tune called “Bottle Gone Dry.”

This is everything a first EP should be.  It showcases the band’s bopping country side while providing space for a ballad, instrumental and opening rocker.  They can be proud of this calling card.

“Hard Drinking without You” video.

BIG B BOOGIES AND BOPS

Tuesday, June 15th, 2010

Big B CDCity slicker boogie is what he calls it, and that’s what the new self-titled CD from Big B and his Snakeoil Saviors delivers.  With only seven tracks one wishes it might have delivered a little more since it does leave the listener a tad hungry.

The songs are mainly coves like Buck Owens‘ “Cadillac Lane” which jump-starts the CD, and all have been reworked in the band’s style.  They are also songs, with the possible exception of “The Wayward Wind,” that have not been over-covered, so this CD is less of a rehash and more of a “snakeoil confection” to coin a term.  Patsy Cline and others have done “The Wayward Wind” as a ballad; Big Ben and the band do it as a dance tune. (more…)

THE B STARS: AS AUTHENTIC AS THEY WANT TO BE

Thursday, May 6th, 2010

B Stars CD CoverThe B Stars felt that their first full-length CD was long delayed but in reality their timing was fine. What took time was adding steel guitar to the band, a move they made in 2009 when Mikiya Matsuda (Lady A and her Heel Draggers) came on-board to bring fullness to the honky-tonkin’, western bop sound of the new and improved B Stars.

Vinyl is the only thing missing in the authenticity department of their CD, Behind the Barn with the B Stars, but this is a small point.  The sepia and Sun Records motif of the artwork, the pilgrimage to Wally Sound recording studio in Oakland, and a producer like Lee Jeffriess (Big Sandy, Johnny Dilks) are enough to tell us that something traditional is afoot.  Think Lucky Stars for a contemporary reference or Lefty Frizzell for an older one. (more…)

HI-RHYTHM HUSTLERS AIM FOR YOUR FEET

Friday, April 16th, 2010

Hi-Rhythm Hustlers "Across the Dial" CDAs if their name didn’t give the band away, dancing beats are what the Hi-Rhythm Hustlers are about.  Fronted by the inimitable Rockin’ Raul Castro, a dance instructor himself, the Hustlers’ live show combines Castro’s stage presence with the musicianship of veterans Mitch Polzak (guitar), Mike Walz (bass) and Jay Laude (drums) to squeeze all of the old school R&B to be had from a quartet.  But how to get what works on the stage onto a recording, ah, there’s the rub.

The Hustlers pull it off by calling reinforcements into the studio.   Chris Binnings the lead from Stompy Jones adds his voice to “Let’s Rock and Roll” and the piano is supplied by renowned SoCal keyboardist Carl Sony Leyland to rachet up the romp factor even further.  Local keyboardist-at-large Noam Eisen plays on Charlie Rich’s “Right Behind You Baby” and a Hustlers’ original “One More Night.”  Pedal steel, back up singers, tenor sax and an accordion are scattered among the other tracks to provide variation while staying true to their boppin’ roots. (more…)

THE BROTHERS COMATOSE DEBUT CD

Friday, March 19th, 2010

In Songs from the Stoop, the debut CD from The Brothers Comatose, the band has captured much of the joie de vivre of their live shows on a studio recording.  This is a band that doesn’t fit into a handy category like bluegrass, country or rockabilly but it is definitely Americana.  Footstompabilly perhaps?

It’s a contradiction to be sure, but even the downer songs like musing about hard times in “Church Street Blues” or their cover of the Rolling Stones’ (more…)