This page is undergoing revision as of December 2018.
Bands are listed by the first letter of their name unless the name begins with “The.”
For example, look for Mitch Polzak and the Royal Deuces under “M” rather than “P” or “R,”
or The Better Haves under “B.”
Attila Viola and the Bakersfield Boys
The B-Stars
Bitter Diamonds
Blithedale Canyon
Blue Diamond Fillups
Brothers Comatose
Buck Nickels and Loose Change
The Carolyn Sills Combo
The Classless Chaps
Chris Ford
Colonels of Truth
Connie Champagne &t Sparkling
Wynettes
Country Casanovas
Court ‘n’ Disaster
Crying Time
The Dangaleros
Danny Morris &the California
Stars
Don Burnham and the Bolos
Easy Leaves
Gayle Lynn and the Hired Hands
Hi-Ball Hot Shots
Honeysuckle Rogues
Hophead
Jinx Jones and the Kingtones
Joe Goldmark and the Seducers
The Jones Gang
The Jukebox Charlies
Laura Benitez and the Heartache
Lonestar Retrobates
Loretta Lynch
Los High Tops
Los Trainwreck
Lester T. Raww’s Graveside
Quartet
Lost Weekend
Maurice Tani & 77 el Deora
Mike Hellman
Misisipi Mike
Miss Lonely Hearts
Mitch Polzak and the Royal Deuces
Moonshine Maybelline
Mother Truckers
The Muddy Roses
Nashville Honeymoon
Nickle Slots
Pine Box Boys
Polka Cowboys
Porkchop Express
Possum and Lester
Red Meat
RevTones
The Saddle Cats
Secret Town
Shut-Ins
Smelley Kelley and the Wagon Tongues
Suzanne Wilde & the Black Hats
Tennessee Truckstop
The RevTones
Tim & the Anglers
The Tough Brothers
The Triple Shots
Twangsville
The Vivants
Whisky Pills Fiasco
Attila Viola & the Bakersfield Boys live up to their name through the influence of one of the best known Bakersfield boys, Merle Haggard (and, of course, his fellow travelers). This Sonoma County Band can be found playing at North Bay venues like Armando’s in Martinez, Peri’s Silver Dollar in Fairfax, the Twin Oaks Roadhouse in Pengrove and The Reel Fish Shop & Grill in Sonoma.
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The B-Stars are a five-piece band, founded by Greg Yanito and Eric Reedy, that offers a mix of honky-tonkin’ covers and originals. The band’s status is tentative since bassist Eric Reedy moved to SoCal in 2018. Click on “Video” to see the band at their boppin’ best performing “Chicken Fried,” which was shot at the Verdi Club in San Francisco.
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The Bitter Diamonds consider themselves “old school country for modern times.” This band is very casual, if not down-right secretive about booking gigs of announcing them, but if you do catch them, you’ll find a strong country sound basedon their original music with a cover song here and there for good measure. “Everybody’s Country,” which can be heard by following the “Listen” link, pokes fun at “mall-store country.”
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Blithdale Canyon is a country quartet named after the road into Mill Valley where the band’s founders, Larry Carlin and Claudia Hampe live. They play “safe and sane” country covers like “Wagon Wheel,” “Someday Soon” and, of course, “Folsom Prison Blues” (which you can “Watch” in case you haven’t heard it before.”) The founders also perform as a duo in locations that combine food service with occasional music.
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Blue Diamond Fillups are a rockabilly trio that features Jonnie Zaentz on vox and lead guitar. The band was active as a quartet in the early 2010’s, then scaled back to a trio, but the untimely passing of their manager took some steam out of the band. Their gigs are rare, but when active, they’re usually in rockabilly mode as on “Playboy” which can be heard by checking on “Watch” below, or they can take a breather with songs like Elvis’s “This Magic Moment” here in the “Listen” link.
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The Brothers Comatose are a 5-piece band 
playing a DIY style of driving acoustic Americana influenced by Wilco, the Rolling Stones, bluegrass, the Southwest and the California dream. Founded by brothers Ben and Alex Morrison, this band has attracted fans from across the Americana spectrum and tours all over the world. Clicking on “Watch” will bring up a their version of the Rolling Stones’ “Dead Flowers” which was recorded at the Hardly-Strictly Bluegrass Festival.
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Buck Nickels and Loose Change play Sonoma County wine-soaked country like their KALX radio hit “Makin’ Wine in the Valley of the Moon,” which can be seen in the “Video” link below. The “Listen” link leads to the band’s home page with “Musician’s Lament.” Of his route to music, quote, “While driving his grandpa’s 1930s sixteen-cylinder Cadillac across the ranch, Buck heard Bob Wills on the radio and he knew he was destined to be a country star.”
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The Carolyn Sills Combo, out of Santa Cruz,won the Countrypolitan Band of the Year award in 2017
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The Classless Chaps
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Colonels of Truth
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Connie Champagne and the Sparkling Wynettes are really just getting started. They’ve been working it out at Mike Dingle‘s semi-invitational gig at the Bay View Boat Club in SF and, finding they’ve got a good thing going, are ready to move out and up.
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Country Casanovas started with, and continue to play, ’50s-’60s country covers but Norm Collins, who fronts the band, released a solo CD in 2016 which was rooted in Americana, though not particularly country. Nevertheless, it’s songs are quite good and now they are woven into Country Casanovas’ sets, a move that has broadened the band’s appeal. 2017 has seen a change in personnel and a name change along the line of Norm Collins and the [fill in the blank] is expected to take place soon. It’s all part of the plan to increase social media activity and build a new identity.
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Country Cougars
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Court ‘n’ Disaster
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Crying Time
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The Dangaleros
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Danny Morris & the California Stars
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Don Burnham and the Bolos are a six-piece country and western band. Burnham is known for leading Lost Weekend, a western swing big band which has had several of its members, including him, inducted into the Western Swing Hall of Fame. Lately, he has been writing more of his own material, and the economics of live music require that he travel faster and lighter. Click “Watch” to hear the Bolos featuring Sara Burnham singing “Honky Tonk Merry-Go-Round.”
Don Burnham Site Don Burnham and the Bolos on Facebook Watch
Easy Leaves
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Gayle Lynn & the Hired Hands started as a outlet for music teacher Gayle Lynn Schmitt’s songwriting and singing, and has developed into a band that conveys the energy that it’s members draw from their enjoyment of playing together. She also has a children’s music band, the Toodala Ramblers, and can be found every December adding to the festivities at Shut-Ins Xmas shows. As for country weepers, she’s got ’em. The sadness comes out even in an up-tempo number like”Twist.”
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Hi-Ball Hot Shots
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Honeysuckle Rogues
Hophead
Jinx Jones & the KingTones is a rockabilly/honky tonk trio. The guitar is the key to understanding this band as Jones, a.k.a., The Professor, can really deliver the goods on the ol’ six-string. Whisky Pills plays bass and Jamie Lease plays drums. Here he is, though with different players at a one-off live radio show performing “Honky Tonk Playgirl.”
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Joe Goldmark & the Seducers is a vintage honky-tonking quartet that plays every third Sunday at the Riptide in SF. Joe Goldmark’s pedal steel defines the band, which doesn’t phase guitarist Hank Manniger or anyone else on lead vocals, including the band’s many friends, who might show up any time. Here is a version of the Seducers with Brandi Shearer on lead vocals performing CSN&Y’s “Helpless.”
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The Jones Gang
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The Jukebox Charlies
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Laura Benitez and the Heartache
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The Lonestar Retrobates are an 8-piece western swing band headed by Mylos “Boogie” Sonka (vocals, guitar, pedal steel, fiddle) and featuring trumpeter Ray “Idaho Slim” Green and Emily Bonn on vocals. They play cowjazz, honky-tonk, bop, swing and whatever else they can get away with as long as people are hittin’ the dance floor. “Bottle Baby Boogie” finds that the announcement of another baby on the way isn’t always good news.
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Loretta Lynch doesn’t play much owing to its members’ commitments to jobs, parenthood and the other distractions of life. This alt-country collective — Heather Davison, Val Esway and Ari Fellows-Mannion — at the right of the picture make up the band’s front line and deliver aware and clever songs, most of which they write. Here’s their jaunty murder ballad called “Missin’ Kissin’.”
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Los High Tops play high-octane sets of rockabilly or surf songs, and unlike “surfabilly” bands, Los High Tops play one style or the other and aren’t into mash the two styles into the same tune. They’re a South Bay Band, and at this point are the only band playing the Santa Cruz to Gilroy circuit playing any rockabilly. They have music videos, but for something different, check out their contribution to low budget rockabilly capitalism.
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Los Train Wreck play a special type of Americana show every second Tuesday at El Rio in SF. This all-pro group hosts a monthly live band karaoke night that that welcomes just plain folks with a song to sing, musicians who are trying out new material, and members of working bands often doing songs that don’t fit with their regular groups. Kathi Kamen Goldmark, ran it until her untimely passing in 2012, but it has been popular for so long that it continues with musical director David Phillips keeping the musical order, and bassist Paul Olguin managing the batting order. Is your name on the sign-up sheet?
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Lester T. Raww’s Graveside Quartet
Lost Weekend boasts a line-up that varies between 7-15 members plus who knows how many friends of bandleader Don Burnham that show up to play. Along with Burnham, Pam Branden (Belle Monroe & her Brewglass Boys) sings Cindy Williams and beyond in their mix of cow jazz/bop/swing tunes. Here they are ripping into “Six Pack to Go.”
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Maurice Tani and 77 el Deora features an urban alt-country sound powered by the songwriting and telecaster of band leader Maurice Tani. Their style of alt-country ranges from rockin’ and country to acoustic and sultry. A downsized edition of the band plays as a duo with Mike Anderson on bass. This “Bad Boy” video represents their up-tempo side.
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Mike Hellman
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Misisipi Mike & the Players to Be Named Later is not the name of Mike Wolf’s latest band. Hicks with Sticks just made that up because it’s difficult to follow the variations and permutations that his music has taken since the demise of the successful run of Misisipi Rider. Band scrambles aside, his in playing and songwriting are top notch. Meanwhile, this “Ballad of Cree and Me,” pays tribute to Misisipi Rider.
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Miss Lonely Hearts is fronted by Wyatt Hesemeyer who writes difficult to categorize California country songs. The band itself is like a cross between the Brothers Comatose and Devil Makes Three. They describe themselves as, “Five dudes, copious liquor, and a fine shoe collection. The stuff dreams are made of,” and here, for a better understanding, is their video of “Pretty Polly.”
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Mitch Polzak and the Royal Deuces are the rockabilly incarnation of the versatile Mitch Polzack. He also plays in bluegrass, Cajun/zydeco, swing and country, but is careful to keep each style to its own band rather than working them into a mash-up. His rockabilly trio features a mix of rockin’ covers and originals with a country-ish track or two just to mix things up. Here’s a medley of tunes from Viva Las Vegas 2010.
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Miracle Mule
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Moonshine Maybelline
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The Muddy Roses, a four-piece fronted by Rebecca Ainsworth and Elizabeth Lewis, finds influences that cross folk, country, blues and good ol’ rock and roll.
Muddy Roses on Facebook
Muddy Roses on Reverbnation
VIDEO: Muddy Roses at Dolly Parton Tribute
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Nashville Honeymoon
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The Nickle Slots
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Pine Box Boys songs are about someone dying, someone who did die, or someone who will die. Sometimes they kill off several people in the same song. Well, what else would you expect from a band named after a cheap coffin? Lester T. Raww fronts the group along with his soul mate Possum Carvidi. The entire concept might sound like a one trick pony, but their best trick has been to rise above all that through strong playing. The front line also takes the stage as Possum & Lester (also listed on this page). Here’s “Mr. Skeleton.”
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he Polka Cowboys are well-established at the most unlikely hillbilly music venue in the Bay Area, and possibly the world. Find them at Champa Thai, which does have a nice stage, PA and dance floor, and is located in an El Sobrante strip-mall, just up the road from Richmond. Thai food, dancing and hillbilly music — y’gotta love the Bay Area for treasures like this.
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Porkchop Express started out as a few pals kicking back and drinking beer at frontman Collin Conoley’s place. The next thing they knew they were an alt-country band playing gigs and making CDs. The rumor that they had been kidnapped by Muslim extremists for being the Great Satan’s pork band, and that upon receiving the ransom demand, their families responded, “Keep ’em!” is false, according to Conoley who was returned safely. Here’s a brief video medley of tunes from their “Fault Lines & Good Times.”
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Contrary to its name, Possum & Lester isn’t a duo; it’s a band fronted by Possum Carvidi and Lester T. Raww of the Pine Box Boys. The Pine Box Boys are dedicated to murder songs, so they needed a Possum & Lester band in order to perform their songs about drinkin’, druggin’, and wenchin’. Who says these boys can’t grow? Here’s their wench-friendly “Tattooed Lady.”
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Red Meat, which has been together for well over a decade, plays high-cholesterol honky-tonk. Scott Young writes most of the songs with Jill Olson adding a few of her own. Both sing and both have turned songs over to frontman Smelley Kelley for the “Smelley Touch” (not available in any store). Here, Jill sings lead on “Thriftstore Cowgirl.”
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RevTones
The Saddle Cats are four western swing pros. Band leader Richard Chon swings one of the meanest fiddles around. Bobby Black is in the Steel Guitar Hall of Fame for a good reason. Their line-up also features Bing Nathan, who has played stand-up bass with everyone from The Saddlecats to famed conductor/composer Igor Stravinski. “Moanin’ Blues” captures the ’Cats western swing stylings.
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Secret Town
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Wherefore the Shut-Ins? Mike Roper and John Poultney are the ring-leaders of America’s finest hulabilly band, but other priorities have made band sightings rare, so when a show appears on the HWS calendar, go or wait until Xmas. Their regular Christmas shows at The Riptide and Bazaar Cafe put the ‘risk’ back in Chriskmas. To be enjoyed by all, these are also the antidote for people who are tired of same-old, same-old Xmas songs, as in this bottle-in-a-brown-paper-bag version of “Baby It’s Cold Outside.”
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Suzanne Wilde & the Black Hats
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Tennessee Truckstop
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Thee Olde Country
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Tim & the Anglers
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Triple Shots
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The Vivants resist classification by drawing on music from across the Americana spectrum. They are at home sharing stages with singer-songwriters, country or bluegrass bands. This acoustic quartet features guitar, accordion, fiddle, stand-up bass and occasional clarinet. Emily Bonn writes most of the songs, including this Cajun-flavored number,”Riot at the Rite Spot,” which celebrates a well-liked SF dive bar at 17th & Folsom.
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Whisky Pills Fiasco is a trio influenced by rockabilly, alt-country, punk and a few other Americana styles in between. Whisky Pills himself sings lead and slaps the doghouse. Johnny Fiasco is on drums, Danny Fiasco plays lead guitar, and this trio, like many others grows in size when they get into a studio. They can also get soulful, as they do here on Bob Dylan’s “You’ve Got to Serve Somebody“
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